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Frank Scheck
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Frank Scheck has been covering film, theater and music for more than 30 years. He was previously the editor of Stages Magazine, the chief theater critic for the Christian Science Monitor and a theater critic and culture writer for The New York Post. His writing has appeared in such publications as the New York Daily News, Playbill, Backstage and various national and international newspapers. He has provided on-air commentary for the BBC, MSNBC and the Fox Business channel, among others.
More from Frank Scheck
‘Orion and the Dark’ Review: Jacob Tremblay and Paul Walter Hauser in Clever Animation Penned by Charlie Kaufman
Angela Bassett and Colin Hanks also feature in the voice cast of this Netflix premiere, an adaptation of Emma Yarlett's children's book about an anxious kid especially fearful when the lights go out.
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‘The Tiger’s Apprentice’ Review: Henry Golding and Michelle Yeoh Lead a Top-Notch Voice Cast in Paramount+’s Animated Adventure
A Chinese-American teenager takes on evil forces with the assistance of animal warriors in this animated yarn with voice work from Lucy Liu, Bowen Yang, Sandra Oh and Greta Lee.
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‘Look Into My Eyes’ Review: Lana Wilson’s Doc About New York City Psychics Doesn’t See Much
The 'Pretty Baby: Brooke Shields' filmmaker trains her eye on a group of New York City psychics and their sessions with clients.
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‘Role Play’ Review: Kaley Cuoco and David Oyelowo Get Trampled by Tired Action-Comedy Tropes
The 'Flight Attendant' star plays a veteran assassin living a double life as a suburban wife and mother in this Amazon Prime Video action-comedy.
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‘Night Swim’ Review: Wyatt Russell and Kerry Condon Struggle to Keep Low-Rent Horror Flick Afloat
A family discovers their swimming pool is haunted in Bryce McGuire's Blumhouse movie.
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‘The Family Plan’ Review: Mark Wahlberg’s Apple TV+ Action Comedy Is Numbingly Routine
Michelle Monaghan and Ciaran Hinds also appear in this movie about a suburban dad whose secret past as an assassin catches up with him.
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‘Rushmore’: THR’s 1998 Review
On Dec. 11, 1998, Touchstone Pictures unveiled Wes Anderson’s Jason Schwartzman and Bill Murray starrer Rushmore in theaters, where it would go on to gross $17 million domestically. The Hollywood Reporter’s original review is below: This sophomore feature from director Wes Anderson (Bottle Rocket) is an unusually stylish and quirky comedy that represents a significant […]
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‘Merry Little Batman’ Review: The Caped Crusader’s Kid Gets His Own Adorable Animated Adventure
The now-retired Batman is merely a supporting character in a film that finds his eight-year-old son Damian battling an array of classic supervillains.
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‘Fast Charlie’ Review: Pierce Brosnan Works His Suave Magic in Phillip Noyce’s Darkly Comic Hit Man Thriller
The veteran actor plays an assassin dealing with some dangerous problems in a film co-starring Morena Baccarin and the late James Caan.
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‘Godzilla Minus One’ Review: A Kaiju Feature as Emotionally Involving as It Is Scary
The legendary monster returns in this Japanese film in which he rampages through Tokyo yet again.
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‘The Shift’ Review: Faith-Based Thriller Proves Hard to Believe In
Neal McDonough plays the Devil, here known as "The Benefactor," in this religious-themed sci-fi thriller from Angel Studios.
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‘Silent Night’ Review: Joel Kinnaman in John Woo’s Gripping Hollywood Comeback
The actor stars in the director's first American film in 20 years, a revenge thriller featuring virtually no dialogue.
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